The I’m Too Cool for This Planet is an experimental fashion collection that seeks to illustrate how we redefine ourselves through technology and how virtuality can influence our appearance. The aim of the project is to explore the relationship between technology and human identity, as well as how technology changes our self-image and social norms.
I supplemented the physical garments with virtual pieces using 3D design and augmented reality technology. These virtual elements serve as a bridge between the physical and artifi cial realities, allowing the wearer to create a new identity expanded by technology.
During the creation, I chose materials that have iridescent and shiny surfaces to refl ect our increasingly artifi cial reality due to the spread of technology. These materials serve not only an aesthetic function but also carry symbolic meaning: they bring closer the shimmering, glittering world of technology, which is becoming more and more a part of our everyday lives. Through surface treatment, my aim was to achieve a lush effect that mirrors the speed and information overload experienced in virtuality. The use of various colors and textures also serves this purpose: they refl ect the diversity and variety of the digital world while creating a dynamic, vibrant impact.
Exploring the realm of femininity through an innovative lens, I embraked on an experiment interwining feminine fabrics with the precision of laser-cutting technology. This unique fusion birthed new surfaces, merging diverse fabrics to redefine the very essence of femininity. Each creation represents a reimagining of traditional textiles, offering a fresh perspective that challenges and reshapes the conventional notions of what it means to embody femininity.
The collection is defined by three key words: EXPERIMENTAL, FEMININITY (REINTERPRETED), INNOVATIVE.
I sought formal, material, and color solutions for these descriptors. Additionally, material pleating and draping play a significant role in shaping the designs. Experimenting with the possibilities of 3D technology, I addressed numerous design challenges, avoiding unnecessary prototypes and significantly aiding in the production process.
My research delves into the relationship between physical and digital realms, questioning the essence of reality and authenticity in our digital space. Using 3D visualization, I address design intricacies swiftly-material qualities, colors, and subtle adjustments. This method pioneers sustainable fashion and creates new user platforms. The virtual space, free from physical constraints, facilitates the creation of products from 'nothing.' How this shift impacts consumer experiences is a key focus
A collection that finds beauty in simplicity and embraces the philosophy of emptiness. Each garment is meticulously crafted, leaving behind the unnecessary, with laser-cut precision that eliminates visible seams. The designs inspired by the ethos of emptiness, boast prints meticulously tailored of minimalist aesthetics and thoughtful design.
The project, established through collaboration between the Hungarian Music Hall and the Budapest Metropolitan University, represents an exciting intertwining of the worlds of music and fashion. The aim was to create attire that somehow reflects the world of music, its rhythms, and structures.
Music can be understood as a series of organized sounds, arranged and combined according to various rules. This abstract correlation provided inspiration for the design. I created a modular system whose components fit together organically, capable of interconnecting and generating new structures and spatial forms.
A visionary collection, inspired by the whispers of love etched into park trees - a muse for captivating digital fashion illustrations, surreal prints, and intricately crafted 3D designs. It’s a tribute to enduring love meticulously crafted in the digital realm- a testament to pushing fashion’s boundaries through my artistry.
